♬ Everyone tells you to practice in altered rhythms. I don't! {video}


Growing up, I swore by altered rhythms. Hours and hours of dotted-rhythms drilling my Chopin études. Five of them, on my debut recital at age 14.

I don't practice that way anymore and haven't since high school.

I posted about it on Instagram last week and it did not go over well. Most people pushed back hard.

Fair enough, Instagram reels are short, I didn't have room to explain the alternative. So here it is.

My real problem with altered rhythms comes down to one thing. When I'm doing a whole page of dotted rhythms, I tune out. And my one job at the piano is to listen. If I'm not listening, it doesn't matter what rhythm I'm drilling.

Here's what I do instead.

I look for the pattern, how many notes before my hand has to move, and I group by that instead of by rhythm. Same notes, same tempo goal, but I'm teaching my hand where it's going rather than teaching my fingers a different, equally uneven rhythm.

Was what I used to do harmful? 🤷‍♀️
Not sure.

Was it a waste of time when I could have been learning more repertoire? ⏳
Probably.

I break down the whole thing... pattern grouping, quick reflex motion, the works, on a passage from the Revolutionary Étude in this week's video.

👀 Watch it here!

video preview

If you've found a way to practice in altered rhythms and you know you're staying present and listening while you do it, tell me in a comment under the YouTube video. I'm genuinely curious if I'm missing anything.

Play On,
Lisa Spector
Piano Practice Strategist
Founder,
Piano Ninja Tricksters Club

PS On Thursday, July 23, I'm running a live free workshop, The Fingering Autopsy. I'll have a camera on my hands, making real fingering choices on tricky passages in real time. You'll be able to see the decision process, not just hear it explained. You'll leave with the rules to diagnose and fix your own fingering. Details coming this Thursday.

PPS If you're in the San Francisco Bay Area,
I'm playing a Groupmuse house concert on a lovely Steinway grand in a beautiful home in San Jose. RSVP here.

Lisa Spector, Piano Ninja

Juilliard graduate helping dedicated adult pianists who love challenging repertoire practice less while learning more.

Read more from Lisa Spector, Piano Ninja

I've been playing Amy Beach's "Dreaming" at the same tempo for years. It felt like an andante tempo, as the composer wrote. Then I heard Greg Anderson play it slower. I'm talking seriously slower. 🐢And I stopped mid-scroll and was mesmerized, because something clicked that I didn't want to admit. My tempo wasn't wrong because it wasn't Andante. It was wrong because I'd never questioned it. Here's the thing nobody tells you about tempo: it doesn't just live in your fingers. It lives in your...

You know the moment. You're three lines out from That Passage and your stomach already knows it's coming. 😳 Hands tense. Breath gets shallow. You start playing the mistake before you've even reached the measure. I used to think the fix was more reps. Drill it until the fear goes away. But no matter how many reps, it was hit or miss for years. The fear isn't about the notes. It's about what your body does when it feels it coming. Here's the first thing that changed it for me. SMILE 😃 Tension...

Yep. Fifteen. Chopin Polonaise-Fantasie. Ginastera. Godowsky. All three movements of Chopin E minor Concerto. Scriabin Nocturne for left hand. Gershwin-Wild arrangements. Bach/Brahms Chaconne left hand. Villa-Lobos. That list can feel like too much. I hear it all the time... sitting down to practice and scanning through everything, feeling like you're failing all of them. Like you have to touch everything or you've abandoned it. I built a practice tracker that fixed that. Not by reducing the...