Juilliard graduate helping dedicated adult pianists who love challenging repertoire practice less while learning more.
πΉπ You can't unhear this {video}
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Last week I told you the score is lying to you about pedal. This week I want to show you what it sounds like when you stop following the score and start listening instead. Are you using the damper pedal the same way every time? Down to connect. Up to clear. Repeat. π Pedal isn't a connector. It's a color. π¨ And the moment you hear the difference, you can't go back. In my new video, How to Use Piano Pedal as Color, Not Glue, I play the same passage two ways, one where the pedal is doing cleanup work, and one where it's making a decision. Your ear will know immediately which is which. That's the point. Your ear already knows. Your foot just hasn't been listening to it. βWatch it here. β¬οΈ But watching someone else pedal won't change how you pedal. That happens at your piano, in real time, with your ear making the calls. π SAVE YOUR SEAT FOR $10 β π Thursday, May 14 | Noon PT | 3 ET | 9 CET By the end of 60 minutes, you won't just understand pedaling differently, you'll immediately start learning how to make confident pedaling choices with your ear. π‘ Registration includes 50 Shades of Pedaling Reference Guide, a composer-specific resource you'll keep at your piano. π RESERVE YOUR SEAT HEREβ |
Lisa Spector, Piano Ninja
Juilliard graduate helping dedicated adult pianists who love challenging repertoire practice less while learning more.
I thought my competition days had ended more than 30 years ago. Apparently not. π€·βοΈ There are very few international piano competitions with no age limit. I only know of three.I've been recording for one of them this past week. I love the preparation. What I didn't love was what happened last week. The maximum submission length was 15 minutes, which isn't much time to make an impression. My plan was to submit Brahms's left-hand arrangement of the Bach Chaconne. It's an extraordinary piece,...
I started this weekly newsletter 6 months ago and have been searching for the right name for it, followed by a logo. And here it is, sitting at the top of your email. PRACTICE NOTESunfiltered. It didnβt go perfectly. I knew when I landed on the name (after 48 iterations) but I originally started with a completely different design direction. It just wasnβt landing. So I scrapped it and went somewhere entirely different before arriving at the logo you see now. And as soon as I had it, I knew....
Your score tells you when to pedal down and when to release. You know what it doesn't tell you? How slow or fast to pedal. π’ πβοΈ That gap is where most of your pedaling decisions are happening on autopilot and you don't even know it. In this YouTube short from the recent 50 Shades of the Damper Pedal workshop, I'm playing 24 seconds of Debussy Reflets dans l'eau. I'm describing what to watch and listen for. Watch my foot. You'll notice it doesn't always move at the same speed. Sometimes fast....